1. |
The Building
02:16
|
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2. |
Lethal Lipstick
03:09
|
|||
3. |
Plan for Revenge
05:20
|
|||
4. |
A Calm Before the Storm
02:08
|
|||
5. |
Neon Nights
02:12
|
|||
6. |
Settling In
00:48
|
|||
7. |
Run-in with a Mirror
01:10
|
|||
8. |
Ghosts of Love and Death
01:32
|
|||
9. |
Sutting Up
03:56
|
|||
10. |
Enter The Target
02:36
|
|||
11. |
Vega's Fight
02:56
|
|||
12. |
The Interogation
02:33
|
|||
13. |
Trapped
02:45
|
|||
14. |
A Bullet for a Thought
01:44
|
|||
15. |
Blood Knuckles
03:16
|
|||
16. |
Nova Gets Even
02:13
|
|||
17. |
The Arrow
01:19
|
|||
18. |
Last Straw
03:52
|
|||
19. |
Take The Shot
02:04
|
|||
20. |
Betrayal
02:42
|
|||
21. |
Fuel for a Fire
02:23
|
|||
22. |
Final Fight (part 1)
00:48
|
|||
23. |
Final Fight (part 2)
01:51
|
|||
24. |
She's So Real
03:37
|
|||
25. |
Last Resort
02:07
|
LAPSES/MATT CANNON Bristol, Pennsylvania
synthwave from Bristol, PA
Lapses is a force to be reconked with as his live
performances hark back to punk intensity keytar playing with catchy and dark synthwave sexiness.
Matt Cannon is also an Award Winning Composer for low budget horror films, including, Force to Fear, and Spirit Animal
... more
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epic synthesizer madness.. everything i love about retrowave...go for the whole discography
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Spaceship Android takes a trip to the beach. "Somewhere Along the Coast" is fun outrun in the sun with a disco beat that drifts in and out. "The Signal" begins with a lo-fi sound then cuts to normal with a spacey, astral sound. "Cruise" is another fun track that switches bakc and forth between funk and outrun with some nice guitar work. "Saw Her Yesterday" is my favorite, though, a slice of teen dreams with a bittersweet edge. Unrequited love? A past romance? The music's tone only tells so much.
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Excellent, fast paced electronic jams. Great for driving, playing video games, or playing video games about driving.
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Cosmos of the Soul
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An instrumental queer space opera from Portland synthwave artist Amie Waters, who uses a universal mythos to illustrate a personal journey.
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On their 10th record, the Glasgow-based group serves up more wonderfully menacing, gothy synthpop, perfect for dungeon dancing.
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Age of Machines
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Glitch Black is so heavy
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